Faure’s Piano Quartets and Piano Quintes and Other Major Piano Quintets
Composer |
Works |
Composed |
First Performance |
Schumann |
Piano Quintet Op.44 |
1842 |
1843 |
Brahms |
Piano Quintet Op.34 |
1861-64 |
1868 |
Faure |
Piano Quartet No.1 Op.15 |
1876-79 |
1880 |
Franck |
Piano Quintet f-moll |
1878-79 |
1880 |
Faure |
Piano Quartet No.2 Op.45 |
1886 |
1887 |
Dvorak |
Piano Quintet Op.81 |
1887 |
1888 |
Faure |
Piano Quintet No.1 Op.89 |
1887-95, 1903-05 |
1906 |
Faure |
Piano Quartet No.2 Op.115 |
1919-21 |
1921 |
Music sources:
Music sources:
Faure’s Piano Quintet No.1 had been out of print for 30 years since G.Schirmer version became out of print in 1974. Leduc published new version by Roy Howat in 2004.
Here are some quotes from the preface of Leduc New Version.
Faure planned this piano quintet as piano quartet No.3 around 1887 after he had finished his piano quartet No.2. And probably, the exposition section of 1st movement was tried by Ysaye Quartet, and it was said more passionate than his piano quartets. However, he was not satisfied for the rest of the movement, and by other reasons, the work is eventually completed in the beginning of 1906, and officially performed by Ysaye Quartet and Faure in March in Brussel.
Then the quintet was performed in Paris on April 30, and received great applause. After that, Faure performed this quintet twice in his life. The quintet was published by G.Schirmer as Faure was chronically dissatisfied with his Parisian publisher Julian Hamele
Roy Howat pointed out 3 major points in his editorial notes;
-
The original edition’s Score and parts are from separate sources, resulting in numerous discrepancies.
-
The manuscript, after serving as source for printed parts, was further annotated in the course of subsequent performance.
-
Issues on tempi. The first edition has only one source that has metronome markings. Roy Howat reviews other source and proposed his indications on metronome markings.
The Tempi Comparison of Actual Modern Performance
Designated Tempi & Current Performing Tempi |
|||
|
1st Movement |
2nd Movement |
3rd Movement |
Designation of Edition |
Molt moderato |
Adagio |
Allegretto moderato |
|
69 |
54 |
76 |
Roy Howat Suggestion |
|
Andante |
|
|
100-112 |
63-76 |
100 |
Quatuor Ebene/Michel Dalberto |
70 |
51 |
84 |
Via Nova Quartet/Jean Hubeau |
80 |
52 |
96 |
Schubert Ensemble |
95 |
43 |
92 |
Gunter Kehr/Werner Neuhaus /Erich Sichermann / Bernhard Braunholz /Jacqueline Eymar |
77 |
46 |
83 |
Fine Arts Quartet/Fine Arts Quartet |
80 |
44 |
78 |
Quatuor de l'ORTF/Germaine Thyssens-Valentin |
74 |
47 |
82 |
Howat mentioned in his foreword that the quintet must have passionate nature quoting Louis Vierne’s comments;” Each movement was greeted by wild applause. The applause forced Gabriel Faure back to stage at least five times.”
The possibility to allow new interpretation encourages me.